Fields

I started this quilt over a year ago as part of a challenge.

I had an assortment of Kona solids, prints, Shot Cottons, linen, and Oakshott cottons

I wanted an improv pieced quilt and I played with my layout for a month

Progress photos 

Improv is not for everyone, some don't like lack of guidelines, planning, or straight seams.  It doesn't have to be that way, you can add your own guidelines - making blocks that are 12 1/2" or keeping all seams going in one direction.  For this quilt I did a lot of sewing, then cutting, then sewing back together to get an effect I was happy with.

Eventually this quilt top began to remind me of the fields we see flying.  While not too high in the  sky, when you look down the land is a pattern of fields and forests.  Until you get to a city - but that will have to be a different quilt.

The forested areas look boxed in by the pattern of fields from the air, and there are a myriad of colors represented in the forest areas as well as the field strips.

After starting the quilting on this top,  I was put off by the tedious quilting pattern I had chosen, I was matchstick quilting before I knew that was what it was called! Other projects and deadlines were calling me, so I put this one away.

Earlier in the week I pulled this out and decided to finish the quilting so I could submit the quilt for consideration in an exhibit.  I had kept all the threads I had pulled for quilting together as well as the extra fabrics.  The miracle was that I knew where the quilt was, I knew where the threads were, and I knew where the fabrics were.

I pulled out new threads to add to the pile, not all threads were used, but some threads matched fabrics perfectly

So I quilted and quilted and quilted (remembering why I had put this away) for 3 days, changing color threads, going back when I came across an area I had missed.  There are a million starts and stops, and a million threads to trim up.  

Binding from left over fabrics

Now it's done and its submitted.  Whether or not it is chosen for the exhibit, I took the step of entering.  It's scary having your work, something you are passionate about, spent time and energy making, judged by others as worthy or not. 

Fields

61" x 40"

Kona Solids, linen, Shot Cottons, Oakshott cottons, cotton prints

Cotton/Wool 50/50 Matilda Batting

Aurifil, Superior, and King Tut threads

Keep Calm and Quilt On!

Mary